Friday, August 19, 2005

A Good Smooch

I got a press release from Sky and Telescope Magazine today that said the following:
Anyone who looks low in the west early on a clear evening for the next couple weeks will witness an unusual sight. Venus and Jupiter, the two brightest planets, will draw closer and closer together from day to day, will then have an eye-catching conjunction (close pairing) on the evenings of August 31 to September 2, 2005, and then will begin to move apart.

The direction to look is low in the west-southwest, and the best time is about 40 to 60 minutes after your local sunset. The brightest of the two "stars" shining there will be Venus. Jupiter closes in on it from the upper left during August and passes closest to it on September 1st, when the two will appear separated by hardly the width of your finger held at arm's length (about 1.2 degrees).

Also in the vicinity is the much dimmer star Spica. If Spica isn't bright enough to show through the twilight, binoculars should reveal it easily. In addition, the waxing crescent Moon joins the party on September 6th and 7th.

Accompanying this release is a series of daily sky scenes that illustrate what to look for in the fading twilight on any date from August 21st through September 7th. They can also be played in sequence as a QuickTime movie to show the dance of the planets, Spica, and the Moon throughout this period.

Although these objects appear the same distance away as you watch them in the deepening dusk, this is very much an illusion. Venus is roughly 106 million miles from Earth (its distance changes during the period illustrated), while Jupiter is 575 million miles away, more than five times farther. The Moon is about 220,000 miles distant; Spica lies 1.5 quadrillion miles in the background.

Such big distances are better expressed by how long it takes light to cross them. Venus is about 10 light-minutes from Earth. Jupiter is 52 light-minutes from us, the Moon is only 1.2 light-seconds away, and Spica is some 260 light-years away. The light reaching your eyes from these sights has been in flight for very different amounts of time -- something to think about when gazing at this unearthly view.

Tuesday, August 16, 2005

Another Letter to Poland (which could also be read as an open letter to Bill Cosby)

Dear Poland,

After a long hiatus, and knowing that you never take me seriously, I am writing you with great news: I have figured out how to revitalize your now long-tanked acting career.

I see you as sort of a Bill Cosby type. Funny sweaters, Dockers, and so on. But in grayscale. You don't let your pain show through. Why not? We need to get you out of this, Poland. My scheme for you is better in sepia.

I want to put you in a position of semi-authority, Poland. I want to make you a DC metro cop in a dingy blue shirt and black trousers. I want you to carry a flashlight. I want you to stand beside the escalator and watch as I ride up and down with my beloved at Van Ness station. (Ah, my beloved.) I need your eyes as my witness, Poland. It's true. And by the time she's talked me into letting her try on shoes, you'll be at least two blocks behind us.

So, Poland, I guess what I have in mind is something akin to Bill Murray's career transformation. You saw all that, right? I want to see fields behind your eyes. Kids don't say the darndest things, Poland. They don't.

Look. I'll send you some sketches. I found some naked pictures of you online. I'll work with those.

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Name: Matthew Shindell
Location: San Diego, California, United States

Matthew Shindell used to live and write in Phoenix, Arizona. He now lives and writes in La Jolla, California.

The Poetry Postcard Project:

Stay tuned to this blog for updates on the status of the Poetry Postcard Project.

Go to the Poetry Postcard Project website to see the project and find out how to participate.

Where are my poems?

Read a PDF of my chapbook, Were something to happen it would be both funny and interesting. Copies of this limited edition chapbook are no longer available.

American Letters and Commentary Issue 17 - "Hoo Ta Ta, Hoo Ta"

American Poetry Review July/August 2004 - "It sounds like a saxophone tugging across a field"

Black Warrior Review v30n2 - "Sidekick"

FENCE v6n2 - "Drinking with the Ventriloquist's Dummy" & "Parable of the Boy inside the Deer"

Hayden's Ferry Review #25 - "The Willow"

Hayden's Ferry Review #35 - "The Monkey's Skull: Where Do Good Newsmen Come From?" & "Made Easy"

Jubilat 7 - "But Emerson Says, 'The body is a metre. The eye appreciates finer differences than art can expose."

The Melic Review - "In Short, a Pleasant Day :: The Man Arrives, Hooray!" "The Same Words :: Order of Harpoons," & "A Bird’s Head Rolls Into Two Baskets :: Walkie-Talkie"

No Tell Motel - "Order of Harpoons :: Digitalia :: Dobre Vecher" 1, 2, 3, 4, 5. Read my discussion of the poem here.

Northwest Review - "Clink" & "Bear-Caught"

Octopus 4 - "About the Author," "Four Star General" &
"The Day :: Born :: The Red Door"


Pleiades 24:2 - "Speech of Artificio, a Character in My New Play" & "Inc."

Tarpaulin Sky v2n2&3 -
"Two Jokes About Bears"


Unpleasant Event Schedule - "He Called Her Forest (or was it Forest?)" & "The Brain Full of Bourbon (concerning the doctor and the simulation of Switzerland)"

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